Tuesday 26 November 2019

Alrightreads: 2019 Books

Checking out some recent releases, like a normal person might do.


Benjamin Dreyer, Dreyer's English: An Utterly Correct Guide to Clarity and Style

2019 / Ebook / 291 pages / USA

***

Reading about how to read and write right makes me feel productive. A veteran proofreader offers handy tips for those writing or proofing in American English, others can work it out. I got quite a few notes out of it. [AU: Are all the Trump digressions really necessary though?]


David Wallace-Wells, The Uninhabitable Earth: Life After Warming

2019 / Audiobook / 310 pages / USA

***

Whether he's being selective or not, these relentless statistics are heavy. I hope some of the other civilisations out there fare better, we're done for.


Stewart Lee, March of the Lemmings: Brexit in Print and Performance 2016–2019

2016-19 (collected 2019) / Ebook / 400 pages / UK

***

As much as I'll always venerate Lee, I've never followed his journalism with much enthusiasm. I enjoy his antagonistically weird style, but preferred the previous, more varied assortment over this one's dogged theme. Padding it out with a stand-up transcript creates the problem that an intervening show has been skipped over in the chronicles now. When are you going to annotate Carpet Remnant World, mate?


Margaret Atwood, The Testaments

2019 / Audiobook / 432 pages / Canada

***

Sequels are rarely necessary, but if you found the first book excessively grim and hopeless, Children of The Handmaid's Tale will provide some much-needed, hard-earned relief. Eventually.


Philip Pullman, The Secret Commonwealth

2019 / Audiobook/ebook / 656 pages / UK

****

I re-read Pullman's classic trilogy in-between the prequel and this sequel, so got more out of the continuing story of the almost-grown-up Lyra and Pantalaimon, respectively, than I did its scene-setting predecessor. It's similarly slow and ponderous, and the unambiguously magical setting feels considerably more humdrum and non-escapist than it did in Lyra's dimension-hopping youth. This is, of course, Pullman's heavy-handed point, and although it makes for a much duller and disposable trilogy, I'm still on board and the finale's likely going to be my most eagerly-awaited book of the next few years, credulous fanboy that I am.